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Review: Dark Vanilla Jungle (Edinburgh Fringe)
Philip Ridley's new play, about 'one girl's craving for family and home', premieres at the Pleasance Courtyard
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Review: Gardening: For the Unfulfilled and Alienated (Edinburgh Fringe)
Only two audience members at a time can see this 30-minute show from Undeb Theatre at the Pleasance Courtyard
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Review: Sandi Toksvig: My Valentine (Edinburgh Fringe)
Radio 4 favourite Sandi Toksvig returns to the Edinburgh Fringe with her new solo show
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Review: Beats by Kieran Hurley (Edinburgh Fringe)
Set in a Scottish town, Kieran Hurley's Beats explores the implication of outlawing raves, through the eyes of a 15-year-old boy
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Review: Hirsch (Edinburgh Fringe)
Alon Nashman perfoms this new one-man play at the Pleasance Courtyard, telling the story of director John Hirsch
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Review: Kubrick3 (Edinburgh Fringe)
This comedy play the Pleasance Courtyard explores the effect of impersonating an award-winning film director
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Review: Missing (Edinburgh Fringe)
Missing uses physical theatre and dance to tell the tale of Lucy, whose hidden past changes everything
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Review: Neil Hickey: Escape Artist (Edinburgh Fringe)
Irishman Neil Hickey's show at Pleasance Courtyard ​is well-intentioned but lacking in laughs, says Lucy Danser
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Review: The Ghost Hunter (Edinburgh Fringe)
This eerie show at the Pleasance follows a ghost hunter as he recounts a terrible tale to tourists
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Review: Alex Horne: Lies (Edinburgh Fringe)
The multi-award-winning stand-up's new show is original, funny and engaging, says Emma Watkins
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Review: Forgotten Voices (Edinburgh Fringe)
This authoritative piece gives a dignified airing to the voices of the Great War
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Review: Kingmaker (Edinburgh Fringe)
A political satire imagining Boris Johnson running for the Tory leadership disappoints
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Blogs: Michael Coveney at Edinburgh: English domination, Scottish parades and...
Our chief critic reflects on some major talking points of the festival so far
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Review: Dr Longitude's Marvellous Imaginary Menagerie (Edinburgh Fringe)
Les Enfants Terribles bring their latest family friendly production to Edinburgh
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Review: The Complete History of Comedy (Abridged) (Edinburgh Fringe)
The Reduced Shakespeare Company are back, doing what they do best
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Review: Alex Horne: Monsieur Butterfly (Edinburgh Fringe)
'Horne has wanted to do this show for more than a decade, and with his infectious excitement, be grateful he finally got round to it'
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Review: Mark Watson: Flaws (Edinburgh Fringe)
The comedian returns to the Festival with his most personal show to date
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Review: Beowulf: The Blockbuster (Edinburgh Fringe)
A father retells Beowulf as a Hollywood epic for his young son
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Review: Peter Straker: Black Magic (Edinburgh Fringe)
'Straker's voice, one of the most extraordinary in British musical theatre, has never sounded better'
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Interviews: A few of my favourite Edinburgh things: Shazia Mirza
The comedian and columnist on her love of fish and chips, leaky caves and Alan Carr
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